Ashton Malcolm is an actor, theatremaker and creative facilitator based on Kaurna Country. 
 
Her credits include STC and STCSA: The Dictionary of Lost Words (2023); STCSA and Country Arts SA: Euphoria (2023, 2021); Windmill Theatre Company: Grug (2021), Grug and the Rainbow (2023, 2016-2018); Windmill Theatre Company and STCSA: Rumpelstiltskin (2016); Patch Theatre Company: The Lighthouse (Adelaide Festival 2020), Yo Diddle Diddle (2017-2018); Restless Dance Company: Guttered (Syd Fest 2023, Bris Fest 2022, Adel Fest 2021), Intimate Space (Seoul Street Art Festival 2019, Bleach Festival 2018, Adelaide Festival 2017); RUMPUS Theatre: The Wolves (2019); Tiny Bricks and Brink Productions: Deluge (Adelaide Festival, 2016); Vitalstatistix Theatre Company: Cutaway: A Ceremony (2013); Vitalstatistix and HotHouse Theatre: Quiet Faith (2014/2015); STCSA: Othello (2014). 
 
Ashton trained at the Flinders University Drama Centre; graduating in 2009 with First Class Honours, the Malcolm Fox Drama Prize and a University Medal. Since then she has undertaken further training intensives with Shakespeare and Company in the USA, and Force Majeure in Sydney. She worked for the Starlight Children’s Foundation for nine years; and has since undertaken further studies at Flinders University and Melbourne University with a focus on Arts in Health, and specifically on creating live performances in hospital environments. 

Zoë Dunwoodie is a performing artist and emerging maker currently living and working on Kaurna Yerta. She graduated from the New Zealand School of Dance in 2011 with a Diploma in Dance Performance, is a NZSD Distinguished Alumni for 2021, and was shortlisted for the Tanja Liedkte Fellowship for 2024. 

Zoë worked full-time and as a guest dancer for Australian Dance Theatre from 2012 – 2020, under the directorship of Garry Stewart, and toured his works nationally and internationally.  

Zoë has worked with local and international choreographers including Daniel Jaber (‘Nought’ and ‘Dirt’), Ina Christel Johannessen (‘North’), Lee Brummer (‘The Loneliness Project’), and children’s theatre companies Patch Theatre Company (‘Home’ and ‘I Wish…’), Windmill Theatre Co (‘Grug’ and ‘Bluey’s Big Play’) and Windmill Pictures (‘Beep and Mort: Season 1 and Season 2’).  

Zoë is an emerging maker and in 2023 she choreographed ‘Co-Incident’ which featured fourteen AC Arts students. She is currently developing her own works including dance theatre work ‘Llama’ and children’s puppet show ‘Planet Stella’ co-created with fellow maker Tim Overton. 

When she isn’t performing, Zoë enjoys teaching people of all ages and abilities within a wide range of dance and theatre organisations, institutions, and studios. 

Elliot Howard is an Adelaide-based actor/guitarist and 2007 graduate of the ACArts 3-year drama program. From 2008 he performed children’s theatre such as The Book Show with Splash Theatre Company, performed the roles of Macduff and King Duncan in Waxing Lyrical’s production of Macbeth, and hosted a live Pokémon entertainment show in Singapore. From 2010 – 2015, Elliot embarked on multiple tours through rural SA, Victoria & NSW in Splash Theatre’s travelling Australiana cabaret shows; And Their Ghosts May Be Heard, Me N’ Me Mate and CJ Dennis – The Bloke. In 2012 he played Tom in Neil LaBute’s Fat Pig at the Bakehouse. In 2013 he performed as an actor and guitarist in Kulturfiliale’s T.R.I.P. In 2014 he reprised his role as Duncan in Foul Play’s production of Macbeth and played the character of Tom Jackson in the award-winning Fringe show Now We Can Talk. He also performed Caleb Lewis’ one-man play Death In Bowengabbie at the Bakehouse Theatre in 2014 to critical acclaim. Elliot was also a guitarist in the children’s theatre show McNirt Hates Dirt, presented as part of the DreamBIG festival in 2017.